![]() ![]() Or set the output to Sony/S-Log and you can clearly see that the two are similar, but not the same. Set the first few inputs toĪnd see where it gets you. If you pay with an eCheque through PayPal, your LUTs will not be sent until the eCheque has cleared, which usually takes a few days. Since you are working with V-log on a LUMIX, and the editing process ist most likely Rec709, you'll probably need the V-Log to V-709 LUTĪlternatively I've found LUTCalc to be helpful for creating and playing with my own camera LUTs. I'm simplifying a lot here, but "camera LUTs" are for converting what the camera outputs (possibly weird colors and brightness) into something that allows you to edit it (normal colors and brightness).Īfter editing you can then use color transforms or another "artistic LUT" to make the edited footage "look artsy".īut they are two distinct LUTs for two distinct purposes. I will look into the luts you mentioned, but I kind of suspect that I messed up a setting or something.I will learn how to manually colour grade but at I'm not that good at it right now so I'd like to just use a Lut across the whole thing making it much easier on me and quicker if I'm running out of time. The 1D luts for slog 2 that came with resolve work, but they are just 1D and I was hoping for some 3D luts. These are the "official" luts from sony that they claim were designed for Resolve 12.5Īlso, if I try to use the 3D luts that were included with resolve, I also get that hard "line" at 800 IRE. I can try and increase the gain and it won't go over that 800 IRE mark. It is that there is a hard "line" at the 800 IRE and nothing can go over it. ![]() I am not sure if it is clear from the image that I uploaded, but it isn't just that the footage is clipped. This LUTs pack contains 22 Cinema Slog2 LUTs and 22 Cinema Rec 709 LUTs. Make your movies, social media posts, documentaries, openers, photos look modern and stylish. While I'm normally kind of an anti-LUT guy, Hrvoje Simic over at Omeneo Design has done a decent job at creating some that I think work well with Sony SLog2 and SLog3, and they're affordable (fifty bucks) and work OK: Import the preset file or just drag and drop the LUT to your video to add fantastic color grading. The CINECOLOR Slog 3 LUT aims to alleviate these issues by slightly. Sony's mirrorless cameras are incredible tools for filmmakers and photographers alike, but are known for their problematic color science and issues rendering skintones when using the native Sony Slog 3 LUT. (ACES works well for a lot of people, and I don't begrudge anybody who wants to try it.) Download Our Sony A7S Slog 3 LUT For Free Here August 18, 2020. There are pros and cons to using Color Space Transforms in the Node tree, so that's a third method. I tend to put the LUT first in the chain (if I have to use one), and at the moment I'm not happy with ACES because of the way it responds. ![]() You can take a tip from Patrick Inhofer of and put a node in front of the LUT node and use that to bring the signal down a bit if it's clipping or crushing. I have heard that ACES is really taxing on the computer though, so I have been reluctant to try it out.Īrt Adams had some good SLog3 LUTs that helped me a bit the last time I had an F55 job. ![]() you'll get all benefits of your Log footage, with a much better data transformation and nicer (and in my opinion more accurate) results. If you set a clip's IDT to 709 it will remain unchanged (for stuff that came this way, to check your log or for any other reason)Ħ. Or set IDT manually from thumbnails in Color room or in Media Pool.ĥ. (IDT) to sLog2 (if all/most of your clips are like that)Ĥ. The Sony LUTs are a professional collection of LUTs that bring your Sony Camera Slog videos to life. My main issue is that my footage seems to be uncooperative when i am trying to shift into a rec709 colour space. Set Output Device Transform (ODT) to 709ģ. 1 Hello, Ive been trying to crack the old slog for some time, and keep running into problems. In Color Management tab in Settings - pick ACEScctĢ. It supports sLog 2, does it wonderfully well, and once you get the hang of it, you'll never want to go back to using LUTs.ġ. You should really look into switching to working with ACES color management over LUTs. I downloaded the official 3D lut from the Sony website but it limits the highlights to about 800 IRE. Mark_Rodriquez wrote:Is there a 3D lut for Sony SLOG 2 that works? ![]()
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